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Wednesday, April 14, 2010

Glee Season 2 Episode 1 Full Episodes, Latest Seasons

Recap: 'Glee' returns in 'Hell-O'
Watch Glee Online – Full Episodes, Latest Seasons …: Watch Glee Episodes Online Season 1 1. Episode 1 Pilot 2. Episode 2 Showmance 3. Episode 3 Acafellas 4. Episode 4 Preggers 5. Episode 5 Rhodes Not

Glee has already becoming the buzz all over with #GLEE becoming trending topic on Twitter, Facebook and other social media sites. Google trends also says, people are searching for Glee Season 2 premiere, Watch Glee online etc.

I will post the link where you can watch this Glee Season 2 Episode 1 later after the show.

Few hours after original series aired on TV, online streaming video for Glee Season 1 Episode 14 usually available on Net and of course, if video available, as soon as possible you can see watch link available in this page so you can watch this episode for free directly from 3rd party sites such as zshare or wisevid. Please be patient while we search and update the video.
Before you watch Glee s01e14 1×14 episode, check out the plot summary of what’s going to happen. Glee returns with a bang: new couples, new songs and new attitude. Rachel and Finn have a rocky start to their relationship at the same time that Will and Emma try to find a way to be together.In typical “Glee” fashion, the show’s creators waste no time back into action, as “Hell-O” kicks off the new season. Within an hour, Rachel loses Finn, finds new “love,” is forced to break up with that guy, then enters back into the relationship secretly and Finn tries wooing her back. And that’s just one storyline.
In an instrumental allusion to Rachel's best number from last season, “Don’t Rain on My Parade” from triumphant “Sectionals,” the Gleeks walk down the hall like rock stars (“I feel like Lady Gaga,” says Kurt), that is until the inevitable slushies meet face. And we’re off!
[Full recap of Tuesday's (April 13) "Glee" after the break...]
In the simplest, cheapest, easiest plot ploy to ascertain, Sue Sylvester is back in charge of her Cheerios cheerleaders, reinstalled by Principal Figgins because he slept with her. Wait, ew? What? Ew. Didn't see that coming... (Actually, that’s “slept,” with quotes: she met him for dinner, ruffied his drink, he wakes next to her – he naked, she in her favorite red running suit – she takes a ridiculous photo and threatens to send it to his wifey and his church. Blackmail with no “actual” evidence (ew ew ew) but strong enough to be scary.)
Meanwhile, Finn’s feeling down. We’ve moved from football season to basketball season, and he’s not as good at that and, well, Rachel is convinced she’s his girlfriend and is naturally overcontrolling, overbearing and a general spazz. A spazz that he doesn’t seem to mind all that much until…
Oh, wait. Time for a hilariously weak, but pleasing, artifice to introduce the night’s musical theme. “Hell-O.” A reintroduction. A starting over for the Glee club, in sound and to the season of viewers. And the word Hell, which isn’t as pleasing as Hello. We see what you did there.
Mr. Schuester and Finn bro it up, with the Glee club leader pushing the jock to recover from all the baby daddy drama with Quinn, to “being OK just being you” like, y’know, Mick Jagger and the Doors’ Jim Morrison. Cue “Hello, I Love You,” featuring a nod to the absurdity of a rock covers band on retainer in a high school. Cory Monteith’s Finn shows off his husky tenor, and hilariously provides for us a second-long shot of Kurt going into heat. All eyes on him, that is until he’s upstaged by Jesse St. James. More on that in a second.
In an effort to cause chaos in the Glee club, Sue enlists the ever-ditzy Brittany and Santana to tear Finn away from Rachel, with the ultimate goal of getting Rachel to quit, erasing the school’s chances to place at Regionals (which they need to do to keep their funding). They decide that the best approach is to offer the prospect of a cheerleader sandwich.
The allure is too great, Finn tells Rachel he needs to be a free man, she busts out some seriously histrionics, brings the pain by erupting into All American Rejects, “Give You Hell.” Despite the burn, it comes off like a Coke commercial. There’s some inexplicable break dancing. We predict a group dance lesson in the future.

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